The largest grands have reinforced keys for optimal energy transmission. In all Konzert grand models, the case sides are angled slightly to obtain a larger soundboard, and all have tunable front and rear duplex (“triplex”) scales for greater tonal color, real ebony sharps, and mineral white keytops to mimic the feel of ivory, among other advanced features. This series represents time-tested models that are solid, traditional, high-quality instruments, but without all the latest refinements. The Classic series consists of the rest of the verticals, the 6′ model 182 grand, and the 6′ 10″ model 208 grand. The purpose of the Konzert series is to expand the Schimmel line upward to a higher level of quality than previously attained.

For that reason, Schimmel produces its own piano-cabinet components and its own keyboards, which it also supplies to other German piano makers.įor a number of years, Schimmel has organized its model lineup into two principal categories: Schimmel Konzert (K-models names) and Schimmel Classic (C-model names). Schimmel also believes that precision is aided by controlling as much of the production process as possible. Schimmel maintains that the combination of CNC machinery and handwork leads to better results than handcraftsmanship alone. The company has used its Computer Assisted Piano Engineering (CAPE) software to research, design, and implement virtually every aspect of making a piano, from keyboard layout and action geometry to soundboard acoustics and scale design. Today, Schimmel makes 2,500 verticals and 500 grands per year and is one of Europe’s most prolific piano makers.Īmong European piano makers, Schimmel was a pioneer in the use of computer-aided design and manufacturing. Wilhelm Schimmel began making pianos in Leipzig in 1885, and while interrupted by two World Wars and the Depression, the company rebuilt with a strong reputation for quality.

Schimmel piano